6 years of woodcuts all laid out in no particular order (with the exception of all unpublished works being grouped together and blurred). This is the first time I’ve seen all of them at once, and after this year’s work I’m sure they won’t all fit in my dining room again.
Join Mary Ann Puls, Catherine Rondthaler, and me tonight at Bite Studio from 6-10pm
We’re showing an array of works ranging from brand new to (in the case of the 1st edition Cthulhu to the right) last of the edition. We’ll also have unframed prints, snacks, and beverages on hand and will be available all night for questions and chat. Come see where all the magic happens!
Bite Studio is located at:
2000 SE 7th Ave.
Portland, Oregon 97214
Want to see it in person? Visit me at Splendorcraft tomorrow from 3-9pm or Saturday from 12-9pm! A full array of prints will be available for your viewing pleasure including unique artist proofs, early works, and nearly sold out editions.
Splendorcraft is located at:
3421 SE 21st Ave.
Portland, OR 97202
Midnight Ride... will also be showing (with a selection of other works) at Bite Studio’s December First Friday opening. I’m thrilled to be showing alongside MaryAnn Puls and Catherine Rondthaler. Come and see us:
December 7th 6-9pm
at Bite Studio
2000 SE 7th Ave.
Portland, OR 97214
Now, 4 years after receiving that BFA, I’m grateful to be making my way as a full-time professional artist. Creating art does not occur in a void. I have had the support of a loving family who encouraged my imagination to grow. I have an amazing husband whose own imagination often acts as a springboard for mine. I have mentors and friends who have advised me and critiqued my work. I have a wonderful publisher, Three Hands Press, with whom I enjoy working and who has pushed me to a level of work I’d not thought possible. I have hard-working galleries and event organizers working with me and giving me space to get my art out and in front of viewers.
I’m the one sketching, carving, and printing, but the work is never complete until it reaches beyond me, and that wouldn’t be possible without all of you. Thank you for taking the time to look. Thank you for sharing your feelings about what you see. Thank you for taking the time to stop and talk at events. Thank you for suggesting opportunities. Thank you for suggesting authors, artists, movies, archaeological finds, traditions, people, and places I might enjoy. Thank you for sharing my art with others whether via word of mouth, online, passing along promo materials, by displaying it in your homes or offices, and giving it as gifts. Thank you for your support in all these ways and many more. Thank you for allowing me to not be a sales clerk working in a giant impersonal store under soulless management on Black Friday.
On that note, I’d like to offer you another little thank you in the form of free shipping on all purchases (domestic and international) from my Etsy storefront through December 1st. Simply enter the word THANKS in the promo code box at checkout. (I’ll also be including some extras with every purchase ranging from postcards, bookmarks, to small prints depending on order size.)
In the Portland, Oregon area and want to shop in person? I have 3 events scheduled before the end of the year:
OCAC Student/Alumni Holiday Sale
This annual event features a wide range of art and crafts from OCAC students and Alumni. I’ve included over 50 prints in the show and will be volunteering there on Saturday from 12-3pm. Follow the link above for further show details.
November 30 3-9pm and December 1st noon-9pm
Splendorcraft at Splendorporium
I’m bringing out as much as I can — standard editions, unique artist proofs, big prints, old prints, new prints, preview images from the Arcanum Bestiarum…come and see.
December 7th 6-9pm
First Friday opening at Bite Studio
2000 SE 7th Ave.
Portland, OR 97214
I’ll be showing a selection of works alongside MaryAnn Puls and Catherine Rondthaler.
Here’s the very first inking of “Midnight Ride over Mt. Hood.” As you can see, the first pass of ink on a fresh block isn’t very pretty. It does, however, tell me a great deal about how I’ll need to roll the brayer over the block in order to get full ink coverage. What you’re seeing to the left is the block after a couple vertical passes of the brayer. No ink has transferred to portions of the block because wood, being a natural material, isn’t 100% uniform and this particular piece has a low spot. Variations like this are part of the challenge of working in wood, and often a lot of the fun.
In this case the low spot is a very easy issue to resolve, I simply have to roll the ink on horizontally as well as vertically. Truth be told, no block I print is ever inked in one direction, there is always some bit of it the brayer doesn’t hit on a single pass. Most blocks only require 5-6 passes of the brayer, but larger pieces with more troublesome low spots require dozens of strokes from multiple sides and angles. Sometimes a smaller brayer is necessary to ink one portion without creating an ink buildup on the rest of the block.
After fully inking the block, I pulled a proof from it, seen above with the block. You can’t see it in this photo, but the block was overinked and the result is a slightly fuzzy print. In this case, I don’t mind because this print exists for the sole purpose of answering some questions I had regarding the image before I finish carving it. You’ll note, for instance, the leg and foot of the rider is solid black with no detail. My original plan had been to make the pants light, and shoe dark, but as I worked I realized a darker pant leg might better serve to provide contrast between the rider and goat. Seeing it here, I like the effect, but will be adding some white line details to highlight creases, perhaps the seam of the pants, and the transition to the shoe. The goat will also be receiving a few added details, though it really doesn’t need much refinement.
I’ll also be adding some lines to delineate the foothills beneath Mt. Hood — though not too much. Just enough to imply a dark landscape underneath the snowy peak and to make the composition less bottom-heavy.
The block will need to dry a day or two before refinement carving, I’ll be sure to post photos once that stage occurred.
If you attended the Portland Goddess Art Show last Friday you probably got a peek at this new woodcut, tenatively titled, “Midnight Ride Over Mount Hood,” as I carved it. I put 3.5 hours of work in on it that night and posted progress photos on both Facebook and Twitter. Since that night I’ve been working on it alongside another much larger block and expect to be ready to ink it and proof it Monday.
The jack o’ lanterns are carved and the candy is ready. It’s just about dark enough here in Portland to turn on the porch light and await the whatever little ghouls brave the rainy weather. In the meantime, here’s a reminder about upcoming shows!
November 2nd, Portland, Oregon 7-11pm
First off, the Portland Goddess Art Show opening! I’ll be taking a woodblock and some tools with me, so stop in and see some live carving! The show runs all month, but the live demos are only this Friday night.
Portland Goddess Art Show and calender kick-off party featuring live art creation, music, and more. Featured Artists: Laura Borealisis, Justin Slattum, Liv Rainey-Smith, Nicole Linde, Joanne Licardo, Matt Schlosky, Sam Arneson, Nicholas Frenette, Anna Todaro, plus Danny Rodriguez and Chelsea Rose of Lucid Optic Lab.
420 SW Washington St, Portland, OR
November 3rd â€“ 11th, Beaverton, Oregon
Leviathan from the Arcanum Bestiarum has been juried into the 30th Annual Beaverton Visual Arts Showcase. Be sure to check my print bin there for a wider array of prints. Gala November 3rd from 7-9 PM — many artists will be in attendance, though I regrettably not be able to make it.
The Showcase will be held at:
Beaverton City Library
12375 SW 5th Street
Beaverton, OR 97005
One last note, for those of you eagerly awaiting the release of Arcanum Bestiarum, word is it will be shipping in mid/late November. Thanks for your patience on this, I’m just as eager (if not more) as you are to finally see it in the flesh!
The Esoteric Book Conference art show will be in the Orcas room of the Seattle Conference Center and is free and open to the public as well as conference attendees. An array of works from the featured artists: Anima Nocturna, Don Farrell, Liv Rainey-Smith, Denny Sargent, Daniel A. Schulke, and Lis Wright-Avec, will be on display, with many available for purchase. I cannot speak for the other artists, but I will be in the art room periodically throughout the conference and am always happy to answer inquiries.Not able to make it to the conference? Further shows are coming. A selection of the Arcanum Bestiarum works have been accepted into Splendorporium’s Annual Tarot Show opening October 5th in Portland, Oregon.
Last but not least, here’s a preview of the Goat! (Click image to enlarge.) Goat will be available as a limited edition of just 11 signed and numbered hand-pulled woodcuts. 15 x 20.75″ on cream cotton rag paper.
“Round pegs find round holes, square pegs find square holes. And by the same token, albeit with rather greater difficulty, I am sure that there must somewhere be a corresponding hole for such a peg as proverbial metaphor may dub trapezohedral!”
H.P. Lovecraft (In a letter applying for a job)
On this day in 1890, H.P. Lovecraft was born. Love him or hate him, his work has inspired generations of authors, artists, and dreamers.
“I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.”
Below are just a few of my own works based on his Mythos and firmly rooted in my thoughts and dreams.