The three enamel pins I introduced last year were so well received I’ll be producing even more this year, starting with the Bee and Sabbatic Goat. Due to enthusiastic feedback from buyers, all new pins will be created with two post backs. I’ll be trying out my first silver tone finish on the Sabbatic Goat; although it won’t be silver due to tarnishing issues, it will be nickel-free. I’m also trying out hard enamel on these first two pins, which is polished flat instead of recessed like soft enamel. Please note, because this is a preorder there may be some slight changes to the design as the pins are made. Typically any changes made will be slight alterations. If a major change is required, I will share the updated concept art with those who have preordered.
Preorder special through February 10th
I expect to ship the finished pins in late March and will be packaging them in paper jewelry boxes much like my prior pins. Because early preorders help me produce the pins, orders placed through February 10th will be rewarded with a special price of $10 per pin! That’s $5 off the regular retail price of $15 each — I really do want early orders! Please visit my Etsy store for more information and ordering.
Note, I have not created Paypal buttons for these pins due to some issues with shipping via Paypal during the previous preorders. If you need to use Paypal for ordering, please e-mail me at liv.raineysmith @ gmail.com with the following information: Which pin(s) you want, how many you want, and your country. I will then send you a Paypal invoice.
I know you’re not all in the Portland area, but I hope to see a few of you on Friday! The good folks at Wells & Verne hung the show this evening and were even kind enough to let me run back home for more art since I severely underestimated the wall space. What you see here is just part of the show. (Here’s a link to the Facebook event page for further info. Please note, because Wells & Verne is a clothing shop, pets are not permitted.)
Although you can stop in ahead of the opening, unframed prints and most of the smaller items like lapel pins, won’t be available until the opening and some will ONLY be available during the opening. I will be in attendance all night.
Looks like it will be a soggy chilly night here in Portland, but I’ve got a bowl full of candy and stickers ready for any hardy trick-or-treaters! I’ve carved a few pumpkins to ward off the evil spirits and even went extra traditional with a turnip this year! Why a turnip? Pumpkins are a plant from the Americas and the Samhain tradition of warding off evil with grotesque vegetable lamps began before such crops were imported to the British Isles. If you decide to try turnip carving for yourself, be wary of the hollowing out portion, I nearly cut myself with a paring knife. I found a sturdy spoon to be fairly effective for scraping once I’d bored a hole into it.
The orange pumpkin is based on my Black Shuck woodcut which originally appeared in Arcanum Bestiarum. It was carved with inexpensive woodcut and linoleum tools. I’m hoping I’ve shaved the pumpkin wall enough to get a good glow out of it tonight!
Portland Shows in November
If you’re in the Portland, Oregon area, you’ll have multiple opportunities to see my latest (including the new Krampus print) in November including:
November 4th opening
Wells & Verne 734 E Burnside St, Portland, OR Opening reception 6-9pm
I will be in attendance and we’ll have a selection of my Sigh Co Graphic shirts as well as prints and lapel pins. Show will hang approximately one month.
November 12th opening
Backstory Books & Yarn
6010 SE Foster Rd, Portland, OR Opening reception 4-8pm
I’ll be carving a woodcut during the reception and have a large selection of prints plus bookmarks and cards. Show will hang approximately one month
November 13th — ONE DAY ONLY
Siren Nation Art & Craft Fair
Located in the McMenamin’s Kennedy School Gym 10am-4pm
This is a great opportunity to visit an eclectic array of local artists and craftspeople. I’ll have a somewhat limited selection due to space constraints, so please e-mail me if you would like me to have something specific on hand. First 35 visitors in the door will receive a gift bag, which from what I’ve seen in the past is rather nice, so queue early if you’d like a shot at receiving one.
Krampus pins are nearly complete
Last but not least, Krampus enamel pin pre-orders will ship November 7th. I expect to have them done just before the Wells & Verne show, but I won’t have time to package and ship them ahead of the show. If you’d like to pick yours up during the opening party on November 4th, let me know.
Patron subscription packages will also be shipping in early November. If you’d like in on this shipment, pledge via Patreon before October ends! Rewards for pledges made in November will ship in early December.
Here’s my guest schedule for the H.P. Lovecraft Film Festival. Please note, I’m also vending upstairs in the theatre, and while I won’t be at the table every second of every day, it’s a good place to find me.
Panel 1: THE HAUNTED PAINTBRUSH – Friday7 pm
Artists discuss the sources and styles that influence their work, whether it be representation or scenes from HPL stories, or just inspired by cosmic horror. Moyer (M), Carlucci, Dubisch, Denham, Rainey-Smith, Stout, Walls.
Pickman’s Apprentice — Artists will compete by creating 1 hour art based on audience prompts! (Yes, I will be carving and printing a woodblock.
ROUND 1 – Saturday at 12 – 1:30 pm
John Donald Carlucci, Mike Dubisch, Nick Gucker, Shelby Denham, Liv Rainey-Smith
If I move to the final round:
ROUND 3 – 3:45-5:15 pm
The winners of Rounds 1 and 2 will go head to head. One will be named Pickman’s Apprentice by the audience
I’m proud to be participating in the Honey & Venom show at Hive Gallery in Los Angeles. (That’s my Bee in the upper right.) I won’t be able to make the trip down for the show, but if you have the opportunity to see it, the previews look spectacular!
For those not in the know, Bite Studio is the group studio where I pull all of my prints. It is home to a wide variety of printmakers and we’re only open to the public on First Fridays from 6pm-10pm. Join us if you can! I’m not doing many shows right now in order to focus on my large project (not the piece shown above, though I am working on it as well), but I will be in attendance.
Can’t be there in person? Here’s what will be available framed and unframed at Bite: Signum Advenit and Summoning. Mind you, they always look better in person!
Also on Friday, I’ll be picking up the newest screenprints ahead of the party so April Patreon rewards may be shipped as promptly as possible! If you’d like to be part of April’s subscription shipment, today, March 31st, is the last chance to sign up! If you wait until April to subscribe at the Card of the Month level or above, your first physical rewards will ship in early May.
Thanks to my existing patrons, I’ve been able to add to my screen printing supplies and create the new Tsathoggua on 8 x 10 wood veneer! It, and the King in Yellow, will soon be available to all.
On another note, if you’re wondering what the artwork above is, it was carved during my two Art in Action demos at Norwescon. Sunday’s carving demo was done on little sleep so I probably didn’t get as far as I could have. (I worked with an abundance of caution.) On Friday, my first day of carving, I was placed next to a face painter, so my table was swarmed with kids for quite a bit. It was surprisingly not bad considering I was working with sharp knives.
Small children are actually often more respectful than adults about not grabbing artist tools. One of the girls complemented my goat depiction, told me about their herd of goats, and then asked, “Are those hares? They look more like hares than rabbits.” No idea what she wants to be when she grows up, but her observational skills can surely take her far in life. I’m seriously impressed she picked up on that detail.
Incidentally, I didn’t chose to depict the witches as hares because I knew I’d be carving this on Easter. That was just a nice coincidence. Mostly, I really liked that The VVitch incorporated the hare form of witches into the plot. Carving in my studio may be more productive, but sharing the process with folks who may otherwise never see woodcut in action. Thanks to Norwescon for the opportunity!
Are you as excited about Norwescon 39 as I am? Norwescon will be held in SeaTac March 24th – 27th, and this year’s theme is “Remembering the Future.” As always, there will be plenty of programming designed to appeal to all interests and appetites, including scheduled gaming, midnight movies, dancing, and workshops. You can even learn how to make a movie with some of the creative team from Hellbender Media. There will also be four guests of honor, all distinguished in their respective fields of art, writing, science and publishing, as well as a plethora of professional guests.
As one of the professional guests, I’ll be participating in the following panels and demonstrations in addition to having a display in the art show and unframed prints available in the print bins.
I’ll be demonstrating my carving technique on the new woodcut seen above and will also have a small selection of magnets, cards, and small prints available. You’re welcome to stop by for as little or long as you like. Questions are welcome!
In this workshop, I’ll help to facilitate the dissection and suturing together of stuffed animals to create the plushy chimeras of your dreams. There will be a $5 materials fee. Not for young children or the easily distressed.
We will discuss and share the ways in which disabilities and limitations inform our creative disciplines. I participated in this panel last year and it ended up being a great group discussion with many resources and tips shared. All are welcome and topics are likely to cover managing mental challenges as well as physical.
Handling Your Online Image As An Artist
Friday, 8:00 – 9:00 PM
This workshop will explore how to create an effective online presence to better market your art, develop a fan base, and deepen your relationship with them through social media.
How Big a Fish Do You Need to Be?
Cascade 7 & 8
Saturday, 2:00 – 3:00 PM
Independent creatives will explore what it takes to make a sustainable living as an artist/writer/musician/[insert other creative path here].
I’ll be continuing to carve the new woodcut seen above and as on Friday, will also have a small selection of magnets, cards, and small prints available. You’re welcome to stop by for as little or long as you like. Questions are welcome!
Selling Your Art as Prints & Reproductions
Sunday, 1:00 – 2:00 PM
Have a question about making or selling prints? Then this is the workshop for you. I’ll be discussing Oregon’s fine print laws, and the other panelists and I will be fielding questions about fine prints, giclee, and digital art. Includingthe advantages of DIY vs. fulfillment services, among other topics.
The Business of Art
Sunday, 2:00 – 3:00 PM
This one will cover the not-so-fun but nevertheless indispensable aspects of making a living as an artist: health insurance, taxes, self-promotion, marketing, work/life balance, and more.
Aside from the above scheduled events, you’ll also be likely to find me around the art show — it’s a big show and I like to take my time exploring it. Please don’t hesitate to stop and say “hi” if you see me about!
A book I contributed to, A Rose Veiled in Black, has begun shipping! I’ll be unveiling the artwork made for it online after my return from Norwescon.
I’ve been updating my Patreon blog regularly. If you’ve not checked it out yet, there are both public posts and special Patron’s Only posts to be found there. You can also use Patreon to subscribe for monthly art shipments starting as low as $8 a month! Subscriptions are charged and shipped on the first of every month, so if you’d like to be part of April’s shipment, you need to join before the end of March.
That’s all for now. I hope Spring is treating you well!
Soon I’ll be boarding a plane to San Jose for PantheaCon 2016, my first event of the year, and one of the few I’m attending as I work on my big project. This annual conference of Pagans and heathens coinciding with President’s Day weekend boasts more than 200 presentations and attracts over 2000 guests every year. This year, its 22nd year running, PantheaCon’s theme will be “Change Makers,” inviting attendees to ask ourselves how we bring change into our lives and the Pagan world. (If you’re interested in learning more about the history of PantheaCon and what it’s like to attend, check out Heather Greene’s blog post about last year’s conference.
I’m happy to be returning to PantheaCon for my second year, and looking forward to reconnecting with a couple of old friends and fellow artists: Catamara Rosarium of Rosarium Blends, and Laura Tempest Zakroff of Owlkeyme Arts. I’ll also be bringing with me a sizable selection of new items. I understand that not everybody has the resources to buy an original woodcut print, and since enthusiasts of my work continue to express interest in lower-priced items, I’ve been happy to oblige with a selection of silkscreened graphic T-shirts, and now some new 8×10 screen-prints. Each of these pieces is created by hand, and like my popular assortment of wood cards they are all printed on real wood veneer.
This PantheaCon, I’ll be debuting the first of said screen-prints including the Salamander seen above at left. Additionally, I’ll be offering a variety of silkscreened graphic T-shirts featuring my art produced in collaboration with my friends at Sigh Co. Graphics. (More on my relationship with Sigh Co. in this previous blog post.) But while new work and new products are always exciting, I must admit that it’ll be hard to top the thrill—not to mention the sheer romance—of meeting Krampus in the flesh (the fur?) last year on Valentine’s Day. Here we are together at right, and as you can see he was awfully pleased with my portrait of him. At least, I think he was pleased. The glistening fangs make him a little hard to read.
Remembering how eager conference attendees were to collect badge ribbons at last year’s PantheaCon, I’ll be sure to bring along some Xylographile ribbons you can use to broadcast your love of woodcut, and identify your fellow xylographiles! Maybe if we’re feeling really ambitious we can form a marauding band of woodcut aficionados.
PantheaCon 2016 will run February 12 – 15 at the Doubletree Hotel in San Jose, California. Pre-registration has closed, but if you haven’t done so already you can still register onsite. For a more comprehensive picture of this year’s offerings, check out the PantheaCon 2016 program guide, peruse the full list of vendors, and visit PantheaCon’s Facebook group for news and updates.
Also, stay tuned for more about my upcoming trip to the 2016 H.P. Lovecraft Film Festival in San Pedro, an event I’ve only just added to this year’s events schedule. It should be a creepy/maddening/delightful old time!
Is 2015 really over already? This year has gone by far too quickly, though perhaps it just seems that way because it was such a busy year. It kicked off with the second annual Curious Gallery here in Portland, Oregon. Curated by local artist and author Lupa, this event is “a festival of the wunderkammer revival” and features an art show, live demonstrations, and hands-on workshops about a range of subjects from taxidermy to cryptozoology and beyond. Curious Gallery 2016 will be held on January 9 – 10, and though I won’t be able to show at it this time I do plan to attend.
This was also my first year attending PantheaCon, which incidentally will be my very first event of 2016! PantheaCon 2015 was the 22nd annual conference of its kind, boasting attendance of 3000+ pagans and polytheists from all over the world. I’ll be back in San Jose, California on February 12 – 15, in the vendor’s room with my usual array of art plus T-shirts. Hope to see you there!
In April I was invited to Norwescon 38—the Pacific Northwest’s premiere sci-fi and fantasy convention—as a guest artist. This year’s theme was Distant Horizons, Epic Adventures, and the author guest of honor was none other than the man himself, George R. R. Martin. In addition to participating in the art show, I was invited to be a panelist and share my experiences as a printmaker, a working artist, and an artist with disabilities. I’m pleased to have been invited back this year and look forward to Norwescon 39, check your schedule for my panels and be sure to visit the art show.
April and May brought CthulhuCon PDX and HPLFF San Pedro. These two Lovecraft-oriented events are among my favorites, and feature a selection of short and feature-length films, live readings of Lovecraft-inspired fiction, tabletop gaming demos, and no shortage of art. At both, I was once again a competitor in the Pickman’s Apprentice Live Drawing competition, racing against several other artists to beat the clock and complete an original image based on a prompt issued by the audience. I’m thrilled to say I won at HPLFF San Pedro.
Omens & Portents opened in July at Seattle’s Gargoyle Statuary, and featured a selection of old and new work inspired by Hermetic magic, illuminated art, and alchemy. My work can be found at Gargoyle year-round, so if you’re in the Seattle area I encourage you to stop by and check it out, along with the rest of their huge selection of art.
Then in August, I flew to Providence, Rhode Island for NecronomiCon. Since this was Lovecraft’s 125th birthday and the birth of weird fiction, this year’s conference was a Lovecraft International Homecoming. Some of my prints were in the Ars Necronomica showcase, alongside the work of artists including Skinner, Nick Gucker, Lee Moyer, Paul Komoda, and others. I also assisted with vending at the Arkham Bazaar booth, and signed an awful lot of books. NecronomiCon is an amazing event, and I’m already excited for the next one in 2017.
The 7th annual Esoteric Book Conference followed in September, and once again I enjoyed the privilege of hosting the art show. This year’s featured artists included Raven Ebner, Valerie Herron, Anne O’Neill, Travis Lawrence, Michael Cowell, and Troy Chambers. The lectures were excellent and I particularly loved Oksana Marafioti’s “Magical Realism in Russia: How Ancestry Worship, Shamanism and Christianity Shaped the Nation.” I also somehow managed to make it home without buying too many books.
HPLFF touched down in Portland in October at the historic Hollywood Theatre. This year began with
a 1920s-themed gala celebration with music, dancing, burlesque, and a screening of The Call of Cthulhu. I returned as a guest artist along with Cody Goodfellow, Leeman Kessler, Molly Tanzer, Jeff Burk, and others, and in addition to vending I helped put together Kickstarter reward bags. This involved hand-numbering the limited edition of 250 Miskatonic Expedition log books and creating a Kickstarter reward print, Signum Advenit. I also sat on the Medium of Madness panel, where we discussed artistic media and how they mesh with Lovecraftian influences.
As action-packed as this year has been, there’s plenty more coming in 2016. I can’t say much at the moment, but I’m currently working on a large-scale secret project. While I’ll be reducing the number of shows I attend in 2016, I’ll also be upping the number of woodcuts I’m creating. How much am I upping it? I officially released 7 new print editions and made three 90-minute woodcuts in 2015, I’m already working on 8 new woodcuts, and that’s just a fraction of the large project.
In addition to creating new woodcuts, I’m also working on new wood veneer reproductions. Since the response to the cards has been so favorable, I’ll be expanding the wood card series and beginning to offer 8 x 10 reproductions. Also, the SyFy viewers among you should keep your eyes peeled for my work on upcoming episodes of the new series The Magicians, which contacted me earlier in the year for set dressing items. (More on that in a later post.) Finally, I’m in the process of setting up a Patreon that will go live in January. The Patreon will allow me to easily share updates, glimpses into the woodcut process, and offer monthly subscriptions for magnets, cards, and even original prints.
Huge thanks to those of you who’ve continued to show interest in my work by coming to events and exhibiting such enthusiasm for the art of woodcut printmaking. Have a safe and happy New Year, and I’ll catch you all in 2016!