I’m proud to be participating in the Honey & Venom show at Hive Gallery in Los Angeles. (That’s my Bee in the upper right.) I won’t be able to make the trip down for the show, but if you have the opportunity to see it, the previews look spectacular!
Author Archive | Liv
I’ve been a fan of lapel pins for years and enjoy collecting them. I love good quality pins because in addition to making lapels more exciting, they are lasting and portable keepsakes. Creating my own has been a personal goal for quite some time, so I’m excited to announce my first enameled lapel pin, the Raven. The Raven lapel pin is designed from my original woodcut art with a color scheme based upon a color artist proof. Rendered in gold plate and soft enamel with sandblasted elements (key and flames) to give a bit of extra dimension to the finished pin. As you can see in the concept art below, we’re packing a lot of detail into this sturdy little (1.25 inch) pin! The Raven pin will be priced at $15 each, but if you pre-order now, it will yours for just $10 plus $3 shipping within the USA.
This pre-order price offer ends as soon as the pins are finished, and production has already begun. Unless a delay arises, I expect the pins to be ready to ship before the end of July, so place your pre-order while you can!
Prefer to not use Paypal? You can also pre-order via my Etsy Store.
I just found out from Silvia Moreno-Garcia that She Walks in Shadows is a World Fantasy Award finalist in the Anthology category! I’m thrilled not just because I am one of many contributors, but because it is a fantastic collection. Moreno-Garcia and Paula R. Stiles put a great deal of work into assembling the anthology and it shows!
(That’s my contributor copy in the photo, it arrived last October while I was carving pumpkins.)
I’ve had to cut back a bit on work for the past week in order to give the inflamed tendon in my left hand a rest. The process of diagnosis irritated the tendon enough that it went from being a weird sensation to a painful one. The pain mellowed out after a couple days, but I’ve been paying close attention to what actions irritate it, and adjusting accordingly.
Thankfully my left hand is not my dominant hand, so I’ve been sketching, researching, scheming, and continuing to carve at about half my normal rate. Aside from working on the project which shall remain nameless, I’ve been exploring the notion of screen printing on alternate materials. During one of the wood veneer printing sessions, I tested a piece of goatskin parchment to see how well the ink would work with it.
I bungled my first pass but flipped the piece over and managed to get a good crisp print on the 2nd try. Since the ink has dried, I’ve been handling the piece to see how well it is set in — bending, scratching, rubbing the surface — and I’m pleased with the result. Now the question is, what to do with it? In the past when I have printed my woodcuts on parchment, I’ve offered them much the same as I offer prints on paper. The purchaser chooses whether to frame them, tack them up on the wall, collect them in an album, etc. etc. etc. Paper has some limitations with regards to durability. So does parchment, but it also has different properties and potential uses. It could potentially be stretched over a frame, used in book binding, or sewn in to a larger piece of some sort. If stretched over an open frame, it could potentially be illuminated from behind — mind you, I’m not looking to start a lampshade empire, but the possibility of incorporating light into my art is an interesting one.
Now that I know I can print on parchment, I’m keen to experiment with leather as well. I have a fair amount on hand due to my past bookbinding coursework, so I’ve been pulling out my supplies and finding test pieces to print on. You can see a bit of it behind the parchment in the image above. I’ve got a few blues, greens, and reds to work with. and some white and gold screen print ink so I’m not limited to printing only black on light color surfaces.
There’s a bit more prep work to do, but I’m looking forward to an experimental printing day soon!
For those not in the know, Bite Studio is the group studio where I pull all of my prints. It is home to a wide variety of printmakers and we’re only open to the public on First Fridays from 6pm-10pm. Join us if you can! I’m not doing many shows right now in order to focus on my large project (not the piece shown above, though I am working on it as well), but I will be in attendance.
2000 SE 7th Ave.
Portland, OR 97214
Also on Friday, I’ll be picking up the newest screenprints ahead of the party so April Patreon rewards may be shipped as promptly as possible! If you’d like to be part of April’s subscription shipment, today, March 31st, is the last chance to sign up! If you wait until April to subscribe at the Card of the Month level or above, your first physical rewards will ship in early May.
Thanks to my existing patrons, I’ve been able to add to my screen printing supplies and create the new Tsathoggua on 8 x 10 wood veneer! It, and the King in Yellow, will soon be available to all.
On another note, if you’re wondering what the artwork above is, it was carved during my two Art in Action demos at Norwescon. Sunday’s carving demo was done on little sleep so I probably didn’t get as far as I could have. (I worked with an abundance of caution.) On Friday, my first day of carving, I was placed next to a face painter, so my table was swarmed with kids for quite a bit. It was surprisingly not bad considering I was working with sharp knives.
Small children are actually often more respectful than adults about not grabbing artist tools. One of the girls complemented my goat depiction, told me about their herd of goats, and then asked, “Are those hares? They look more like hares than rabbits.” No idea what she wants to be when she grows up, but her observational skills can surely take her far in life. I’m seriously impressed she picked up on that detail.
Incidentally, I didn’t chose to depict the witches as hares because I knew I’d be carving this on Easter. That was just a nice coincidence. Mostly, I really liked that The VVitch incorporated the hare form of witches into the plot. Carving in my studio may be more productive, but sharing the process with folks who may otherwise never see woodcut in action. Thanks to Norwescon for the opportunity!
Are you as excited about Norwescon 39 as I am? Norwescon will be held in SeaTac March 24th – 27th, and this year’s theme is “Remembering the Future.” As always, there will be plenty of programming designed to appeal to all interests and appetites, including scheduled gaming, midnight movies, dancing, and workshops. You can even learn how to make a movie with some of the creative team from Hellbender Media. There will also be four guests of honor, all distinguished in their respective fields of art, writing, science and publishing, as well as a plethora of professional guests.
As one of the professional guests, I’ll be participating in the following panels and demonstrations in addition to having a display in the art show and unframed prints available in the print bins.
Art in Action
Friday, 9:30 AM -12:30 PM
I’ll be demonstrating my carving technique on the new woodcut seen above and will also have a small selection of magnets, cards, and small prints available. You’re welcome to stop by for as little or long as you like. Questions are welcome!
Monster Mash for Mature Mad Scientists
Friday, 1:30 – 3:30 PM
In this workshop, I’ll help to facilitate the dissection and suturing together of stuffed animals to create the plushy chimeras of your dreams. There will be a $5 materials fee. Not for young children or the easily distressed.
Creativity & Disabilities
Friday, 6:00 – 7:00 PM
We will discuss and share the ways in which disabilities and limitations inform our creative disciplines. I participated in this panel last year and it ended up being a great group discussion with many resources and tips shared. All are welcome and topics are likely to cover managing mental challenges as well as physical.
Handling Your Online Image As An Artist
Friday, 8:00 – 9:00 PM
This workshop will explore how to create an effective online presence to better market your art, develop a fan base, and deepen your relationship with them through social media.
How Big a Fish Do You Need to Be?
Cascade 7 & 8
Saturday, 2:00 – 3:00 PM
Independent creatives will explore what it takes to make a sustainable living as an artist/writer/musician/[insert other creative path here].
Art in Action
Sunday, 10:30AM – 12:30 PM
I’ll be continuing to carve the new woodcut seen above and as on Friday, will also have a small selection of magnets, cards, and small prints available. You’re welcome to stop by for as little or long as you like. Questions are welcome!
Selling Your Art as Prints & Reproductions
Sunday, 1:00 – 2:00 PM
Have a question about making or selling prints? Then this is the workshop for you. I’ll be discussing Oregon’s fine print laws, and the other panelists and I will be fielding questions about fine prints, giclee, and digital art. Includingthe advantages of DIY vs. fulfillment services, among other topics.
The Business of Art
Sunday, 2:00 – 3:00 PM
This one will cover the not-so-fun but nevertheless indispensable aspects of making a living as an artist: health insurance, taxes, self-promotion, marketing, work/life balance, and more.
Aside from the above scheduled events, you’ll also be likely to find me around the art show — it’s a big show and I like to take my time exploring it. Please don’t hesitate to stop and say “hi” if you see me about!
A book I contributed to, A Rose Veiled in Black, has begun shipping! I’ll be unveiling the artwork made for it online after my return from Norwescon.
I’ve been updating my Patreon blog regularly. If you’ve not checked it out yet, there are both public posts and special Patron’s Only posts to be found there. You can also use Patreon to subscribe for monthly art shipments starting as low as $8 a month! Subscriptions are charged and shipped on the first of every month, so if you’d like to be part of April’s shipment, you need to join before the end of March.
That’s all for now. I hope Spring is treating you well!
Greetings, fellow Xylographiles!
The 17th was my birthday, and I celebrated by continuing to unpack from my Pantheacon trip, which was both incredibly fun and exhausting! I’ve also just launched something I’ve been quietly working on since last year: a Patreon page!
For those of you not already in the know, Patreon is a crowdfunding resource oriented toward ongoing financial support for independent creators. Whereas traditional crowdfunding websites aim to raise a set dollar amount in a limited timeframe, Patreon allows sponsors to make ongoing contributions to the artists of their choice. It also allows creators to blog easily, and offer both public and patrons-only posts. You can pledge as much or as little per month as you like, and receive different rewards (both digital and physical) depending on your level of sponsorship. It’s an incredible, symbiotic way for creators of all stripes to develop and maintain an ongoing relationship with their supporters, and to give back to those supporters in tangible ways. In some ways, it’s reminiscent of the old-school tradition of artistic patronage (think the Medici family) that used to be artists’ main source of income.
When I launched my Patreon a few short days ago, my most immediate goal was to raise enough money to purchase more screenprinting equipment. This would allow me to expand the selection of wood veneer postcards and 8 x 10 screenprints I unveiled at PantheaCon last week. At this time I’m offering four different screenprint designs and three new wood cards, and I’d love to be able to make more. I had high hopes yesterday when I launched the Patreon, but I was nevertheless floored when several new supporters helped me reach my first goal in only a few hours. The instant positive response has been hugely encouraging, and I’m already hard at work setting new goals and brainstorming more rewards for new patrons.
Speaking of which, let’s talk a little about what kinds of rewards are on offer. As with other crowdfunding sites, Patreon is based on a system of contribution and reward. Depending on the dollar amount you pledge each month, you’ll receive one or more rewards to thank you for your patronage. At the $1 level, you’ll receive my thanks. $2 will earn you access to my patrons-only Patreon feed, as well as early ordering privileges for new prints. Higher reward levels are a variety of subscription services: a wood card of the month, a monthly print from my Zodiac series, a grab-bag of surprises that may include early and experimental woodcut prints as well as other items, and more. (And given the very positive feedback I’ve gotten in under 24 hours, it’s clear that I’ll need to diversify the range of rewards even more.) How much you contribute each month is up to you, and every single pledge helps assure a steady flow of new art!
Before I sign off, let me take a moment to remind you that I’ll be in Seattle, Washington for Norwescon 39 next month. I hope to see many familiar faces there and make a few new friends as well. Until then, I hope February is treating you kindly.
Soon I’ll be boarding a plane to San Jose for PantheaCon 2016, my first event of the year, and one of the few I’m attending as I work on my big project. This annual conference of Pagans and heathens coinciding with President’s Day weekend boasts more than 200 presentations and attracts over 2000 guests every year. This year, its 22nd year running, PantheaCon’s theme will be “Change Makers,” inviting attendees to ask ourselves how we bring change into our lives and the Pagan world. (If you’re interested in learning more about the history of PantheaCon and what it’s like to attend, check out Heather Greene’s blog post about last year’s conference.
I’m happy to be returning to PantheaCon for my second year, and looking forward to reconnecting with a couple of old friends and fellow artists: Catamara Rosarium of Rosarium Blends, and Laura Tempest Zakroff of Owlkeyme Arts. I’ll also be bringing with me a sizable selection of new items. I understand that not everybody has the resources to buy an original woodcut print, and since enthusiasts of my work continue to express interest in lower-priced items, I’ve been happy to oblige with a selection of silkscreened graphic T-shirts, and now some new 8×10 screen-prints. Each of these pieces is created by hand, and like my popular assortment of wood cards they are all printed on real wood veneer.
This PantheaCon, I’ll be debuting the first of said screen-prints including the Salamander seen above at left. Additionally, I’ll be offering a variety of silkscreened graphic T-shirts featuring my art produced in collaboration with my friends at Sigh Co. Graphics. (More on my relationship with Sigh Co. in this previous blog post.) But while new work and new products are always exciting, I must admit that it’ll be hard to top the thrill—not to mention the sheer romance—of meeting Krampus in the flesh (the fur?) last year on Valentine’s Day. Here we are together at right, and as you can see he was awfully pleased with my portrait of him. At least, I think he was pleased. The glistening fangs make him a little hard to read.
Remembering how eager conference attendees were to collect badge ribbons at last year’s PantheaCon, I’ll be sure to bring along some Xylographile ribbons you can use to broadcast your love of woodcut, and identify your fellow xylographiles! Maybe if we’re feeling really ambitious we can form a marauding band of woodcut aficionados.
PantheaCon 2016 will run February 12 – 15 at the Doubletree Hotel in San Jose, California. Pre-registration has closed, but if you haven’t done so already you can still register onsite. For a more comprehensive picture of this year’s offerings, check out the PantheaCon 2016 program guide, peruse the full list of vendors, and visit PantheaCon’s Facebook group for news and updates.
Also, stay tuned for more about my upcoming trip to the 2016 H.P. Lovecraft Film Festival in San Pedro, an event I’ve only just added to this year’s events schedule. It should be a creepy/maddening/delightful old time!
A part of my artistic life that I haven’t discussed much so far but take a tremendous amount of pride in is my creative partnership with Portland’s own Sigh Co. Graphics. These are the talented folks who make it possible for me to offer hand-silkscreened shirts and tote bags featuring my art. If you’ve attended any of my recent sales events, it’s very likely that they were vending at a nearby table piled high with Xylographilia shirts, as well as shirts featuring their own original graphic designs. Sigh Co.’s work is inspired by the fiction of H.P. Lovecraft, horror film and literature, the occult, and other influences, and includes an eclectic range of items from clothing to glassware and beyond.
Sigh Co. was founded in New Orleans, Louisiana by Brian and Gwen Callahan. After eight years in business, they pulled up stakes and relocated to Portland, Oregon where they have made their home ever since. True to the artisanal spirit associated with Portland, Sigh Co. is a small, locally owned operation specializing in handmade goods that help to support self-employed artists. Of the many reasons I value my partnership with them, at the top of list is the knowledge that together we’re offering high-quality products printed in the USA. The closest attention is paid to ensure that each silkscreened design is a crisp, faithful reproduction of the original woodcut print: a testament to Sigh Co.’s pride in their craftsmanship.
The current collection of Xylographilia shirts features my Raven, Wyrm, and Phoenix, as well as a Shub-Niggurath work shirt with my Ram on the front pocket, and a newly redesigned Cthulhu work shirt with the addition of a Lovecraftian “Eye of Providence” that I designed especially for Sigh Co. There’s also that year-round favorite, the Krampus shirt.
We’re considering adding new designs to the inventory, so if there’s a particular woodcut you’d like to see made available as a shirt or tote bag, drop us a line! It may just turn up in the future.
David Bowie has been an inspiration to me since childhood. I can remember watching the Glass Spider tour on TV, and dancing to “Fashion” and “Scary Monsters (and Super Creeps) with my stuffed animals when they came on the radio. As a teenager I subscribed us to Bowienet internet service and was active in the online Bowie fan community, trading CDs with people all around the world — one online friend, even ended up working for him and got me his autograph. My mom and I traveled to New York City for his 50th birthday concert at Madison Square Garden — we stood in line hours to get a decent place on the floor. We still talk about it to this day. He was great to see live, and if I had a time machine, I’d use it to see shows from his entire career.
I’ve never admired another artist more, and I’m grateful he got to end with a successful musical and a haunting new album.
Thank you Mr. Bowie.