The bottom of the piece will remain a solid black, and while I could revert to a solid white background as seen in the original Cthluhu woodcut, I’ve started using more textures in my backgrounds.
I’m partial to the roughness of “chipped” textures as such as the one seen here in the Bee from Arcanum Bestiarum, but I feel such a texture would adversely compete with the texturing within Cthulhu’s figure. The figure also contains many horizontally oriented textures, which I’d like to create contrast with, so long vertical lines are a natural choice. Here are the first few swipes, made with a shallow 1.5mm u gouge.
The texture I’m creating here is relatively simple: repeated passes from a shallow 1.5mm u gouge. The trick is to not be too uniform in carving. It may sound counter-intuitive, but it is very easy to fall into a regular pattern while carving and I favor a bit of irregularity to keep things lively. I want the overall look of the background to be relatively even, but not every single mark. I avoid uniformity by varying line length, starting point, depth, and periodically angling them just slightly left or right.
Althought just shy of complete in this photo, the initial carving is now complete! At this point I run a bit of 1200 grit sandpaper VERY GENTLY over the block to help remove little snags and splinters; then brush it gently to coax any dust or chips out of small carved areas. After that, it’s time for inking and the first printing!
Speaking of time, the H.P. Lovecraft Film Festival Kickstarter ends in just 3 days, and though it has met its initial funding goal, there’s still an excellent stretch goal to be met. Plus, the Kickstarter is the only way to order a first edition of this woodcut print — just my way of saying thank you for supporting the Festival which has been such a large part of my life for so many years.